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"I don't quite know," says Mona, slowly, "but what Uncle Brian principally studies is—pigs!" "You never saw an angel, so you can't say," says Mona, still sadly severe. "And I am unhappy. How will your mother, Mrs. Rodney, like your marrying me, when you might marry so many other people,—that Miss Mansergh, for instance?" The very air is still. There is no sound, no motion, save the coming and going of their own breath as it rises quickly from their hearts, filled full of passionate admiration for the loveliness before them..
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Mona looks up startled. The faint rays of the new-born moon are indeed rushing through the casement, and are flinging themselves languidly upon the opposite wall, but they are pale and wan, as moonlight is in its infancy, and anything but brilliant. Besides, Rodney's eyes are turned not on them, but on the door that can be seen just over Mona's head, where no beams disport themselves, however weakly. Rodney has interviewed the old man, her uncle; has told him of his great and lasting love for this pearl among women; has described in a very few words, and without bombast, his admiration for Mona; and Brian Scully (though with sufficient national pride to suppress all undue delight at the young man's proposal) has given a hearty consent to their union, and is in reality flattered and pleased beyond measure at this match for "his girl." For, no matter how the Irish may rebel against landlordism and aristocracy in general, deep down in their hearts lies rooted an undying fealty to old blood. "Well, come early. And now go and dance with Mr. Darling. He has been looking at me very angrily for the last three minutes. By the by," putting up her glasses, "is that little girl in the lemon-colored gown his sister?" "Why?" says Mona. "I couldn't well call her any thing else until I know her.".
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